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Christopher Nolan Calls AI a 'Transparent Horse,' Says Public Rejection Is 'Healthy'

Christopher Nolan is not impressed with AI, and he's glad his kids' generation isn't either.
The director, whose Imax adaptation of "The Odyssey" is currently in theaters, laid out his skepticism in back-to-back interviews tied to the film's release. Speaking with French YouTuber Hugo Travers, who publishes as HugoDécrypte, Nolan said AI is "a Trojan horse that everybody knows the Greeks are inside." He called it "a transparent horse, it's made of glass," according to TechCrunch.
The metaphor works with his movie. "The Odyssey" centers on Odysseus, played by Matt Damon, who invents the original Trojan horse as what the LA Times review called "the atomic bomb of his day," a deceit that marks the moral collapse of a civilization.
Nolan told Travers he's never seen a technology "advancing so rapidly that's been so completely rejected by the public," pointing to how quickly young people coined the term "AI slop" to describe low-quality machine-generated content flooding social media. "That's a very healthy skepticism," he said. "Technology is always going to give us great gifts, but it has to be viewed with skepticism. The motives of the people giving it to us also have to be viewed with skepticism."
He made a similar case to AFP in Paris, telling the outlet, according to the Guardian, that AI is "a technology that's been so successfully adopted by Wall Street and by investors and by tech companies that the public has so thoroughly rejected." He said there's "a sort of disdain for things AI" among ordinary people, even as it gets baked into search engines, chatbots and business software everywhere.
Not calling for a ban, just accountability
Nolan isn't arguing AI is worthless. He told AFP he expects it to produce useful "imaging tools" down the line. What he rejects is the idea, pushed hard by parts of the AI industry, that the technology will replace human beings and human creativity outright. "To me it's a nonsense," he said.
AI companies and some Wall Street analysts have spent the past few years selling investors on a future where generative tools replace actors, writers, and camera operators at scale. That pitch is exactly what fueled the 2023 Hollywood writers' and actors' strikes, work stoppages that cost studios billions and shut down productions for months. Nolan, a longtime member and vocal advocate within the Directors Guild of America, was on the other side of that fight, and the DGA's most recent contract secured new generative AI protections for directors.
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